THE EDUCATIONAL POTENTIAL OF THE MUSICAL CULTURE OF THE WEST UKRAINIAN PEOPLE'S REPUBLIC (1918-1923) IN THE UPBRINGING OF STUDENT YOUTH
DOI:
https://doi.org/10.15330/obrii.58.1.122-124Keywords:
polinational art, music making, printing note, educational, biedermeier, musical iconography, means of art, riflemen songs, sociocultural functionsAbstract
The article, which is offered as an encyclopedia, analyzes the importance of the musical culture of the WUPR and artists’s military creativity in Ukrainians' awareness of their statehood and the potential of their music. It is emphasized that the proclamation of WUNR created conditions for the main components of the polinational art in its ethnographic regions. The beauty of the sound of musical works strengthened the importance of WUPR in the eyes of the world community. The emphasis in the article is on the description of the artistic life of Stanislaviv, as the third capital of WUPR, as well as Lviv, Chernivtsi, Kolomyia. It is studied that the song was among the most popular musical genres, which was not only reproduced and supported the faith of our people in difficult times, but it was one and the main means of the spirit strengthening of the Ukrainian army, a component of the interaction of soldiers. It is shown that one of the incentives for the development of music in WUPR and the involvement of different strata of the population in music-making and perception of art was the organization of concerts to raise funds for the needs of the army and the Ukrainian Red Cross. It is outlined the features of the Galician musical biedermeier, which was formed as an original direction in the Pan-European musical flow and was manifested in the active application of national trends thanks to the motifs of riflemen songs and the processing of folk songs. The great role of musical art during the war in the maintaining of the international prestige and Ukrainians’establishing, has been proved.