[1] Barthes, R. (1984). Le bruissement de la langue. Seuil, Paris.
[2] Batsevych, F. S. (2009). Fundamentals of communicative linguistics. (2nd ed.). Akademiya.
[3] Foucault, M. (1988). What is an author? Modern Criticism and Theory. In D. Longe (Ed.). Longman inc, New York, 97-211.
[4] Hundorova, T. I. (2005). Post-Chornobyl library. Ukrainian Literary Postmodern. Krytyka.
[5] Kondratenko, N. V. (2012). Syntax of Ukrainian modernist and postmodernist literary discourse. Vydavnychyj Dim Dmytra Buraho.
[6] Kononenko, V. I. (2014). Text and image. Vasyl Stefanyk Precarpathian National University, Kyiv, Ivano-Frankivsk.
[7] Kononenko, V. I. (2018). Linguopoetic etudes. Vasyl Stefanyk Precarpathian National University, Kyiv, Ivano-Frankivsk.
[8] Kononenko, V. I. (2021). Literary text pragmatics: news searches. Vasyl Stefanyk Precarpathian National University, Kyiv, Ivano-Frankivsk.
[9] Koptilov, V. V. (1972). Style and stylization. Koptilov V. Pershotvir i pereklad. Dnipro, Kyiv.
[10] Ricoeur, P. (1990). Soi-meme comme un autre. Editions du Seuil, Paris.
[11] Tkachuk, O. M. (2002). Naratology dictionary. Aston.
[12] Yermolenko, S. Ya. (1987). Folklore and Literary Language. Naukova dumka.